At Work In The Work

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Life brings its seasons, on its own time, on its own terms. We humans challenge that, don’t we? We, I, would like nothing better than to control the terms of life – at least to a great extent. But here we are, at the whim of the vagaries of life. It can be a rocky path.

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These days my photography is a challenge. It isn’t flowing to my satisfaction. I am not flowing to my satisfaction. And so the rewards of making images – those feelings of success, the accolades, the sense of satisfaction, are lacking, wanting. It is a frustrating time. It is also a time of questioning my reasons for photographing.

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Do I photograph for accolades, for those positive feelings? Honestly, much of the time I do. But that is a risky proposition. For then my continued photography rests in large part on the good graces and expressed good feelings of others in response to it. Is that really how I want my art form (whatever that truly is?) to be dependent on an external locus of control? Or is photographing, and art in general, really supposed to be the expression of an internal response to life, a reaction to life and its mysteries, joys, heartaches, and wonder?

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Of late my web presence has decreased significantly. I am posting less, social media-ing less, and being much more selective with my inputs. Work and family commitments have dictated this in large part, but it was time really. I strongly recognize the importance of managing one’s inputs as it has an enormous impact on one’s life. And I have chosen to be more choosey with my inputs, encouraging myself to select higher art forms like well regarded photography, fine art, fine literature, really creative movies, good music, better food. The changes have been significant in a short period of time.

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But a word of warning should you choose to embark on such a journey as well – you might well become disappointed in your efforts at your own photography, at your own art. Higher levels of input let you know where you stand; higher art shows you exactly where you are mediocre. It takes some fortitude to face this. It can be a tipping point. This is the point where some push on, strive, grasp higher, tenaciously hang on for the long term. This is also the point where many pack it in, throw in the towel, quit.

Time for some grit.

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Sketches: El Grullo

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Sketches: Lexus

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Sketches: The Couple

 Some relationships are meant for a reason.

Some relationships are meant for a season.

And a few relationship – just a few – are meant for a lifetime.

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Sketches: Moments

Moments gained. Moments lost.

A look. A gaze. A pause. A burst of energy.

Life comes in stops and starts, flits.

A breath, an exhale, a sigh. A smile. A frown.

And the world turns around.

Don’t blink. Here. Gone.

Moments gained. Moments past.

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Hopes and Dreams

Baseball, it would seem, has begun again. The twitters is all aflutter; boasts and threats and promises are being made on Facebook. Some are claiming that all is right again in the world; baseball for them is akin to civil rights, justice, even oxygen.

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This is an image from my project-in-process: On The Bench, for which I received Rear Curtain’s Fellowship Award to support its completion. A bit of a preview, if you will. A teaser. Happy baseball everyone!

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Sketches: Applying the Lesson

Last week posted here were a series of images playing with shadows, darkness, and a creative vision with the camera that did not include respecting the in-camera metering system. It seems some of you liked it. I certainly have been enjoying making these images. They were all made with the Nikon D80, a camera that has a limited sensor while still remaining manually customizable. I enjoyed pushing myself within the limits of poor high-iso performance and a single lens.

Then, through the generosity of some incredible people, I came to be the user of a new camera – one with much higher ISO capabilities and manually customizable settings

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At first I wondered if the camera might change my approach. But then I decided I didn’t want it to.

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What I wanted to do was exploit this new camera’s capabilities while still forcing it to do my bidding.

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Essentially using the tool to create what I wanted and not letting the tool dictate the image to me.

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I’m happy with the results so far. What do you think?

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Posted in "Aha!" Moments, a la casa, at home, Creativity, Fuji, Sketches, X100 | 4 Comments

Sketches: Lookout-Your Pictures Are Getting Dark

I guess my wife is paying attention. The title above is something she said to me recently. I guess she noticed.

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I have been playing with tones recently. I started last year as I decided to take a step backward regarding gear and emulate some of the old-school photographers working with what would today be considered outrageous restrictions – Kodachrome at ISO 50, in a darkened room, or at the edges of the day, without a tripod, or a monopod.

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Think about it, these photogs shot with stuff you and I spend lots of money to get away from, and they made iconic photographs.

Damn, they were (or are) good.

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So I grabbed my D80 and one lens last fall and committed to it. As others upped their sensor size and crazy-high-iso-capability-I-can-shoot-in-the-dark cameras I went the other way (story of my life, my parents tell me.) I grabbed a camera with an ISO rating that shouldn’t be legally rated above 400 and went at it. Man that was hard.

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It was hard because out of the camera my files were not going to compare in quality to what others were shooting. Because I was going to miss and flub a lot of shots – and I did.

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But I learned something. Those limits pushed me to look, to search, to seek, to struggle around the edges of things, and to learn to trust my eye and my brain rather than the light meter in camera. I don’t think I shot anything “properly exposed” according to the camera. It was a lot of “half a stop over” or “1.3 stops under” or even “3 stops under” My images began to look like what I wanted them to look, not what the scene actually looked like in front of me.

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And that is when I started creating images. Took me some years to get here.

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And now maybe a new camera….

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Sketches: Dance

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Keith Sanchez, the musician I wrote about recently, was making a return engagement at Il Vicino Canteen recently and warranted another listen from me and my family. So we loaded up the car and arranged to meet some friends there for good food, good beer, good company, and good music.

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Sketches: Franken

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There is a bit of a tradition in New Mexico of sitting out on a winter’s eve around a fire. It is not that different from other parts of the world where people gather to look into a fire, feel the warmth, commune together, and get lost in thoughts in the dancing flames. Except here in NM the fire is built in a Chiminea, a clay fireplace that is open on one side with a short chimney raising the smoke toward the stars. We had such a gathering in my neighborhood the other day – an impromptu coming together of several families from the block. Parents, kids, neighbors. Food, drink, good conversation. There was laughter, giggles, bantering, warmth, community. Eventually the food was shared and finished, the children were ushered to bed, the sun completed its daily recession, and the glow of the fire drew us toward its respite from the evening chill. Here my neighbor, Herbey, ponders.

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