Creativity

Wyeth Country

In a small town in Southeastern Pennsylvania, one of the United States’ most renowned painters set up his studio and began to explore the light, the people, and the landscape of the area.

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It is a small area, tight with hills and trees and creeks. A revolutionary battle was fought nearby, as was a Civil War battle. General Lafayette spent the night in a spot here once, so the sign says.

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North and South, East and West seem to hold little meaning here as roads tend to wind alongside creeks leading northeast and southwest – or they head straight up a steep ridge to top out at a momentary vista only to plunge down into another valley to cross another creek and rise to the next ridge. The result is a feeling of living in a dream with no up or down; no left or right. Driving here feels like going in circles. Disorientation is common.

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Part of my childhood was spent here and as I returned recently to visit my parents I noticed once again how small my world was then. It spanned perhaps a few square miles, for the twisting, winding, narrow roads, the endless trees blocking any hope of a view, did not spark a teenage boy’s mind with exploratory imagination.

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Andrew Wyeth painted nearby during the same years I explored cornfields and chased water skeeters in the nearby creek. He painted old barns, railroad tracks, even my neighbors, as I played pond hockey on the neighboring land, walked home from school through a dairy farm and cut corn fields. He explored the depths of his psyche while I attempted, albeit unknowingly, to forge mine.

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I didn’t discover him until after I left – LONG after I left! And his paintings draw me home to the place I came of age: where I learned to drive, where I enjoyed my first romantic relationship, where I first explored the solitude natural spaces brings. Is it the light that touches me, or the sense of place? Or perhaps time? I know the places he painted. I nearly ran my car off the road numerous times on Ring Road. When I see his painting of that scene I remember finally mastering that surprising blind curve, unofficially marking me as more than a visitor to Chadds Ford, but a resident, an insider.

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I visit Chester County occasionally now and try to take in Wyeth’s paintings at the Brandywine River Museum. But mostly I reconnect to a period that seemed uneventful and yet is rich with the stillness of time and place, breathing in a formative history. I drive the roads; I show my family the important spots; I seek out Andrew Wyeth’s vision in order see my high school days with new eyes.

Then, perhaps, memory can catch up with nostalgia.

My God, when you really begin to peer into something, a simple object, and realize the profound meaning of that thing—if you have an emotion about it, there’s no end.”

~Andrew Wyeth

Posted by Brian Miller in Creativity, iPhone, Picture Package, sketches

Sketches: In The Beginning

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Posted by Brian Miller in a la casa, at home, Creativity, Fuji, Monochrome, Picture Package, sketches, Sketches, X100

Sketches: Out of the Fog

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It has been a while.

I thought posting here once a week would be easy. It is not. But, that is the nature of anything worth pursuing, no? If it were easy many would be doing it. The challenge pushes us; demands of us; holds us accountable.

And so I’m being pushed, and being demanded of, and being held accountable. Mostly by –  and to- myself. Not long ago I wrote about managing one’s inputs. About having higher standards for what is allowed into our lives, and how that affects our art; our living. My challenge to myself was to expose myself to better art, better literature, better movies. To separate the wheat from the chaff, as it were. I think it is working. But it has also left a hole here where I try to showcase my work.

I’ve been working. I’ve been shooting and learning and growing and challenging to work with the limits currently affecting my shooting time, my processing time, my editing time. I’ve been focused on exploring my projects more deeply and not giving in to the temptation to post.

My work hasn’t been up to par for myself lately. I haven’t been satisfied (welcome to the artist’s life, I am told)! I’m still not, but the fog is lifting a bit. And out of the fog, comes a dog.

Big Dogs, Little dogs.

Black and white dogs.

Go, dog, go!

Posted by Brian Miller in Animals, Creativity, Fuji, X100

An Honored Request

Not too long ago I received an invitation to provide some prints of my images to the University of New Mexico Hospitals Child Psychiatric Services. It was a simple enough invitation: provide 4 prints, on a somewhat quarterly basis, that represents the population this hospital unit serves (New Mexico youth and families). The goal is to hang images in the conference room that is used to hold meetings with the families of patients.

Ultimately I chose the 4 following images and I thought I would share them here. The prints have been framed and delivered but I have not yet seen the final installation as that is in the hands of the physical services of the hospital.

All of the images were printed at 11 x 14 sizing on a 16 x 20 inch matt and frame. I look forward to being able to see them installed and will hopefully post a picture of their final presentation in the future. In the meantime I hope you enjoy them!

Stay tuned for future installations as well. This is an ongoing effort.

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“Dancing Cowboys of Pie Town”

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“Indian Finals Rodeo Cowboys”

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“El Caballo y La Tradicion”

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“La Muerta” y Las Flores”

Posted by Brian Miller in Creativity, Culture, Festivals, Nuevo Mexico, Tierra Encantada

At Work In The Work

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Life brings its seasons, on its own time, on its own terms. We humans challenge that, don’t we? We, I, would like nothing better than to control the terms of life – at least to a great extent. But here we are, at the whim of the vagaries of life. It can be a rocky path.

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These days my photography is a challenge. It isn’t flowing to my satisfaction. I am not flowing to my satisfaction. And so the rewards of making images – those feelings of success, the accolades, the sense of satisfaction, are lacking, wanting. It is a frustrating time. It is also a time of questioning my reasons for photographing.

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Do I photograph for accolades, for those positive feelings? Honestly, much of the time I do. But that is a risky proposition. For then my continued photography rests in large part on the good graces and expressed good feelings of others in response to it. Is that really how I want my art form (whatever that truly is?) to be dependent on an external locus of control? Or is photographing, and art in general, really supposed to be the expression of an internal response to life, a reaction to life and its mysteries, joys, heartaches, and wonder?

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Of late my web presence has decreased significantly. I am posting less, social media-ing less, and being much more selective with my inputs. Work and family commitments have dictated this in large part, but it was time really. I strongly recognize the importance of managing one’s inputs as it has an enormous impact on one’s life. And I have chosen to be more choosey with my inputs, encouraging myself to select higher art forms like well regarded photography, fine art, fine literature, really creative movies, good music, better food. The changes have been significant in a short period of time.

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But a word of warning should you choose to embark on such a journey as well – you might well become disappointed in your efforts at your own photography, at your own art. Higher levels of input let you know where you stand; higher art shows you exactly where you are mediocre. It takes some fortitude to face this. It can be a tipping point. This is the point where some push on, strive, grasp higher, tenaciously hang on for the long term. This is also the point where many pack it in, throw in the towel, quit.

Time for some grit.

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Posted by Brian Miller in Creativity

Sketches: Applying the Lesson

Last week posted here were a series of images playing with shadows, darkness, and a creative vision with the camera that did not include respecting the in-camera metering system. It seems some of you liked it. I certainly have been enjoying making these images. They were all made with the Nikon D80, a camera that has a limited sensor while still remaining manually customizable. I enjoyed pushing myself within the limits of poor high-iso performance and a single lens.

Then, through the generosity of some incredible people, I came to be the user of a new camera – one with much higher ISO capabilities and manually customizable settings

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At first I wondered if the camera might change my approach. But then I decided I didn’t want it to.

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What I wanted to do was exploit this new camera’s capabilities while still forcing it to do my bidding.

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Essentially using the tool to create what I wanted and not letting the tool dictate the image to me.

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I’m happy with the results so far. What do you think?

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Posted by Brian Miller in "Aha!" Moments, a la casa, at home, Creativity, Fuji, Sketches, X100
Sketches: Lookout-Your Pictures Are Getting Dark

Sketches: Lookout-Your Pictures Are Getting Dark

I guess my wife is paying attention. The title above is something she said to me recently. I guess she noticed.

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I have been playing with tones recently. I started last year as I decided to take a step backward regarding gear and emulate some of the old-school photographers working with what would today be considered outrageous restrictions – Kodachrome at ISO 50, in a darkened room, or at the edges of the day, without a tripod, or a monopod.

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Think about it, these photogs shot with stuff you and I spend lots of money to get away from, and they made iconic photographs.

Damn, they were (or are) good.

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So I grabbed my D80 and one lens last fall and committed to it. As others upped their sensor size and crazy-high-iso-capability-I-can-shoot-in-the-dark cameras I went the other way (story of my life, my parents tell me.) I grabbed a camera with an ISO rating that shouldn’t be legally rated above 400 and went at it. Man that was hard.

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It was hard because out of the camera my files were not going to compare in quality to what others were shooting. Because I was going to miss and flub a lot of shots – and I did.

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But I learned something. Those limits pushed me to look, to search, to seek, to struggle around the edges of things, and to learn to trust my eye and my brain rather than the light meter in camera. I don’t think I shot anything “properly exposed” according to the camera. It was a lot of “half a stop over” or “1.3 stops under” or even “3 stops under” My images began to look like what I wanted them to look, not what the scene actually looked like in front of me.

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And that is when I started creating images. Took me some years to get here.

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And now maybe a new camera….

Posted by Brian Miller in "Aha!" Moments, Creativity, Photographic Mindset, Sketches

Sketches: Gone Fishin’

A two-fer here today as I play with the way I present these sketches and work through what I am photographing and presenting. A good friend asked a couple of weeks ago about these sketches and why I consider them so. In truth, I consider them sketches because I am trying things. I am trying things out in the field capturing the images, and I am trying things in terms of presenting the images. And I am learning, curiously learning; making stuff. To my mind, this is the process of art, no?

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So today, an image – in color – harvested (pardon the pun) from a long series of images made on President’s Day as we spent the day with two neighbor families fishing at Isleta Lakes on the Isleta Tribal Pueblo here in NM. Following the color image is a series I shot with my iPhone and Hipstamatic’s app telling the little story of the day in broad strokes. Let me know what you think. I am playing with storytelling, both in single images and in series of images, and I am limited in my photographing explorations by the necessities of my family. So I do what I can, sometimes wishing I had more time to photograph, but grateful that, as I was reminded, I get to do my hobby all the time….! True that. It is the limits that forges the creativity after all.

The series below you may have seen already if you follow me on Twitter or Instagram as I posted the individual images over the course of the day. Here it is again with two additional images to round out the series. I attempted to capture the cooking process (stuffing the fish with garlic, lemon and herbs, and grilling them in foil) without much success. To my mind that is missing from this series. Lesson learned.

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Posted by Brian Miller in Creativity, Culture, Fuji, Hipstamatic, iPhone, Monochrome, Picture Package, Sketches, X100

Sketches: Audience

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There is more to this image than meets the eye. I suppose that is why many pictures are valued more by the photographer who made them than the audience. Often images have a backstory the viewer is not privy to and this leads to the photography of self interest. I have fallen prey to it; you probably have too. We see such self-interest a lot these days of social media, especially in apps like Instagram. Most of the time I try to let – or make – the images I create stand on their own. There is something in me that believes this is the mark of good photography.

But there are also times when an image augments the words associated with it; and when words augment the image. I think this is one of those times.

This image shows a lone guitarist, on stage, playing to a single audience member who seems to be nursing his beer slowly, sip by sip. To my mind he is intrigued enough by the guitarist to draw out his enjoyment of his ale, but not enough to commit to another glass. There is a feel of sadness to this image for me – a solitariness for both men sharing this experience. One performs; the other absorbs. But each seems in their own world, with their own emotions and thoughts. I am reminded of the reality that we are each alone with our introverted nature: the thoughts and feelings of our mind.

And yet this image is anything but that. The performer, Keith Sanchez, a fantastic guitarrista from Belen, New Mexico who plays the music circuit of central New Mexico and runs the New Mexico Academy of Rock and Blues teaching children a love and appreciation for the musical style, is the son. The single audience member, his father.

This is a father and son connection. Having sons myself I can’t help but wonder at the thoughts and emotions present within the father. I’d love to know.

We spoke at length, Keith, his father, his mother, my wife, my sons, and me. I was taken with Keith’s playing style, his set list, and his choice of languages. You see, despite his heritage and name, Sanchez did not grow up speaking Spanish but rather learned while living in Ecuador with his family during his teen years. Have you ever heard “Hotel California” in Spanish? I have! He rocks it!! And he was friendly, and open, and clearly close with his parents. And he made a point to entertain my young sons from the stage. Not too big for his britches, this guitarrista.

I look forward to hearing him play again and perhaps continue our conversations. He performs at Il Vicino Cantina the last Sunday of the month, at the Luna Mansion in Los Lunas every Friday night, and periodically at Scalo’s Il Bar and Opa’s bar in Nob Hill.

On a side note, there were more audience members than myself and the father. This is a long room and the tables behind me were filled with local families and groups of friends enjoying a freshly made pint, the music, and good company.

Posted by Brian Miller in Creativity, Culture, Nuevo Mexico, Tierra Encantada

Sketches: Brothers

A bonus treat today for you: a two-fer! While I haven’t stated it publicly, these sketches on Wednesdays are an opportunity for me to practice a necessary – and very important skill – in photography: that of the edit. Edit, that is, in terms of selection rather than post-processing. These Wednesday posts offer an opportunity to ruthlessly edit my work, my play, down to one meaningful image. A little glimpse of irony perhaps, or something representative of New Mexico, of culture, of fitting in, of not fitting in, or a glimpse into my life, or your life.

I struggle with these edits. What should I show in this one image this week? What is worthwhile? And why, once the choice is made, this image?

It hurts throwing out images. This is a painful process. But it is necessary. Arriving at good images requires it. By throwing out the chaff ruthlessly we come to the wheat; the good stuff. There will be a few, I think. Not many, but a few. I am curious about those.

Today, a glimpse into my life. Brothers. A theme I have my eye on as these young brothers grow their relationship. I am curious how it will play out for them. I am curious what I can record for them. A bonding. A sharing. Differences. Similarities. Shared experiences.

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Posted by Brian Miller in a la casa, at home, Creativity